Engineer-architect by training (UCL Bartlett), design technologist by trade, sound-obsessed by nature. At Atelier One I write the parametric pipelines and custom tools that turn geometry no one knows how to price into buildings that get built. Carbon, cost and fabrication in the model from the first sketch. And when I’m not scripting facades, I’m usually building something you can play. A pavilion that answers your touch, a drum machine made of rain.
The day job. Computational systems that carry ideas all the way to fabrication.
My professional portfolio covers computational facade pipelines for JPMorgan Chase’s global HQ, sculpted stone for the Obama Presidential Center with Maya Lin, a touring 6,000-capacity concert architecture, the embodied-carbon workflow behind an IStructE Supreme Award winner, and rationalisation tooling for freeform desert architecture.
This work involves client projects and is shared privately. Request access and I’ll send you the link and password for the full portfolio site.
Request accessDesign, technology and self-governance in post-blast Beirut.
The thread I can’t put down. Instruments, installations and rooms that listen.

A real-time interactive acoustic pavilion, built and exhibited at Dulwich Picture Gallery.

An immersive spatial sound installation on noise pollution. Audio Canvas winner, Crypt Gallery.

An instrument that turns the chaos of rain into measurable, playable sound.

End-to-end design and delivery of a private loft conversion, choreographed around calm.
Detours worth taking. Competitions, curation, paint and half-finished experiments.

Plywood and bamboo furniture, designed, cut and built by hand.

The forest as our orchestra.

A bamboo playground for collective making.

Art exhibition with Fynn Studio.

Values-based feedback for workplace culture.

Fragments of emotion, left to interpret.

Ambient sketches, interludes and jams.
Where the questions started. The Bartlett, UCL.